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129 × 94 cm / Wool / Malayer

深緑のフィールドに浮かび上がる小花文様が美しい一枚。

Malayer

ロリ族の定住したこの地域の絨毯は、抽象絵画のような面白さを持っています。主にタフトバフと呼ばれる、厚みがあまりなくしなやかな織が特徴です。華麗な花文様などは近郊のファラハンやサルークの影響を受けていると思われます。

The carpets of this region, settled by the Lori people, possess an interesting quality reminiscent of abstract paintings. They are primarily characterized by a weaving technique known as Takht-baf, which is flexible. The magnificent floral patterns are believed to be influenced by nearby Farahan and Sarouk.

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ミーリー工房

ペルシャ絨毯の黄金期と言われる16〜17世紀サファヴィー朝時代の手紡ぎ・草木染めによる絨毯づくりの伝統を継承し、失われつつあった部族や地域の文様や織を蘇らせています。

Being in carpet business for more than 200 years, the fifth and sixth generation of Miri family revived the tradition of golden age of Persian carpet. This phenomenon is known as Miri Renascence. Miri’s creations made by hand spun wool and vegetable dyes are in Victoria and Albert Museum, Carpet Museum of Iran and the royal palaces around the world. Miri’s weavers are in Fars, Persian Kurdistan, Hamedan, Farahan and Malayer.

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Go to the Miri creation website